CHRIS YATES AND CHRIS WILD TALK -            'A PASSION FOR ANGLING'

 

It seems that even after twenty eight years, our BBC 2 series “A Passion for Angling” lives on in many folk’s memories, so Sue and I had a dinner party with friends Chris Yates and Chris Wild recently to reminisce and reflect on some of our favourite moments. It proved to be a really enjoyable evening as we re-lived our favourite moments, so maybe you’ll find their choices interesting too. 

The legendary Chris Yates needs no introduction of course, being one of the stars of the show and my fishing pal Chris Wild was also involved in editing some of the clips for YouTube and offering assistance in many ways since. He’s a luthierist and a creator of the most magnificent classical guitars. They are true works of art and better still, sound beautiful. He’s also a dab hand with a rod but I’ve been fishing a lot longer and been able to help him catch several ‘firsts’ and PB’s which is far more rewarding than catching them myself. Being a quick learner, he often seems to out fish me now, though to be fair, that isn’t difficult! 

During our dinner together, and being a lot younger than Yates and I, he gave us a very interesting perspective on ‘Passion’, so I’ll quote his thoughts verbatim because they seem to echo those of so many other enthusiasts. 

“Thinking back to when I was 13 and the autumn of 1993 when A Passion For Angling first aired on BBC2, it was the barbel sequence at the end of Childhood Dreams that captured my imagination and frequented my dreams the most. 

It is so well etched into my memory that I can play the whole sequence back in my minds eye. I so badly wanted to walk in the footsteps of Pete and Chris, to peer into the depths of my local river and watch a shadow emerge from under the weeds and for it to materialise into the solid form of a barbel. I must have gazed into every river and stream I came across, longing for that miraculous moment when I would see one. I saw many other species but never a barbel. 

A Passion For Angling introduced me to Chris Yates, and he became a bit of a hero of mine, Bob too, but Chris also wrote books, and they became my bedtime reading, the first books I enjoyed so much that I would read them again and again. There was also that magical ‘something’ about Chris and his old tackle that also infected my early teenage mind. I knew without a split cane rod and a centrepin I had no chance of catching a barbel and so I wrote to Edward Barder, the legendary builder of classic cane rods. 

I suspect he might have twigged I was just a boy, but I did get a lovely letter back saying that I would need to acquire certain tools and glue to build a rod, and to get back in contact when I was ready. I got as far as getting the right glue, which I still have, and a certain type of knife for splitting the cane. Although the rod never happened my parents wonderfully took pity on me and one Christmas we went to a tackle shop in Christchurch where I got a centrepin. It wasn’t until I got home that I discovered it was the very same reel Bob had used in the series and that was all the confirmation I needed to know I’d made the right choice. 

It was naturally imperative that I rewatch ‘Autumn Glory’ to see him catch that fabulous barbel from under the tree, and ‘Winter Madness’ when he trotted his float down the Kennet only to have Chris poach a chub from the bottom of his swim, all the while trying to work out how he was able to get his tackle into the water without creating a birds nest of line! 

One summer maybe a couple of years after ‘A Passion for Angling’ was broadcast, a friend and I were dropped off to fish the Hampshire Avon, ‘The’ river where these wonderful barbel were known to reside, and best of all, it was where some of the magic was filmed. It was a beautiful day, and we crept along the bank peering into every likely looking swim, and then we saw them, not just one, but a number of barbel and chub, it was just as we had seen it on TV, they were effortlessly shifting in and out of the weed, not too far out from the bank and obviously very catchable. We quietly retreated, the excitement was almost uncontainable, but we knew what to do, we’d watched Chris and Bob do it enough times, and so threw in handfuls of hemp seed and lumps of luncheon meat. With that done we set up our rods and landing net, for once we might actually need it, and then went to see how enthusiastically the barbel were devouring our free offerings, but there was nothing to be seen, they’d obviously seen this ploy before and knew to make a quick exit. 

I did eventually catch my first barbel, many years later, and it was perhaps even more magical for me than watching the series for the first time as I was fishing with the filmmaker who captured all that wonderful footage and put it on our TV screens.” 

I fish with Chris a few times each month and chat to Mr Yates every week and it’s no surprise that we all consider the sequence where young Peter catches his first barbel one of the most magical, especially when the kingfisher lands on the rod in his hands. 

How he didn’t quiver with excitement and shake it off we’ll never know but we stayed silent until it flew away downriver, then whispered our incredulity that such a moment could happen while the camera was running. We were so very lucky. 

Another delightful moment was one of the first sequences we filmed, Chris’s son Alex being required to catch a fish from the little village pond. He was only three years old but is obviously a chip off the old Yates block, catching a carp to order and having the awareness to celebrate with a shout into the camera “I’ve caught a fish!” 

Alex is now a very successful personal trainer, is married and has two children, though he makes time to be a keen birder and has remarkable skill when hunting out elusive goshawks in dense forests. 

It’s perhaps surprising that not many of our favourite moments include the catching of big fish, preferring the moody and evocative moments of seasonal change. But perhaps that is why the series was such a success, enjoyed not just by anglers but the great British public too who were blown away by the beauty of the watery landscapes at their most magical times of day and the wildlife that decorates these moments. 

How can you not enjoy the floating flight of a barn owl over the water meadows in the third programme or Chris paddling out into a mist shrouded pool to fish for tench among the lilies in ‘Childhood Dreams’. 

Chris particularly likes the sunrise gudgeon match at Redmire, its’ etherial light rousing the ghosts of departed carp anglers as they spiralled into the mist, the music of Jennie Muskett enhancing the atmosphere perfectly. The early start didn’t do a lot for Bob and Chris’s wellbeing but they survived to tell the tale and to pull off the scarecrow trick that Chris had wanted to try ever since he caught his record carp. 

Kevin the Scarecrow was one of Chris’s most rewarding sequences, the idea being that by putting a figure into the shallows and baiting it for three days before concealing himself in the disguise, this would allow him to choose the biggest fish as they fed at his feet.

The plan worked and as he lowered his bait onto a browsing carp’s nose, he hardly dared breath as it truffled ever closer before snaffling the sweetcorn. All hell broke loose as the carp tore off across the shallows but sadly, after a brief but violent battle, the twenty pounder escaped.
 

 

Chris and I love the moment when he is meditating on how the hours pass at Redmire, or do they? He says “time doesn’t pass here, it collects!” 

However, our ten days filming in that magical spot passed all too quickly but we did have time to catch four twenty pound plus carp and even I had an off duty moment to catch a golden common carp on a worm dangled under the bank, so our stay was a wonderfully unforgettable week. 

Our simple mission to make a half hour fishing film was complete but we had more than enough ‘moments’ to make a complete one hour film and it had been comparatively simple because the weather was perfect every day. Even better, Bob and Chris were good at catching fish! 

We got thinking that if a film could be made so easily in ten days then there should be no problem in making a series of six. The mistake Bob and Chris made was to agree to do so because it took us more than four years to complete the job! 

The series started showing on BBC 2 in September 1993 and attracted audiences of millions and received rave reviews. So in time, Chris and Bob were able to forgive me for convincing them that creating the series was a good idea. The fact that so many folk still enjoy the films even after twenty eight years is difficult to believe but we’ll take our reward from the enjoyment of sharing our adventures with so many others.

I’ll add some more of our dinner party thoughts about some favourite ‘Passion’ moments in a future blog but first, I want to celebrate the glories of autumn in our garden as this year has proved exceptionally colourful.

We still sell copies of the series and Sue sends them out every few days, so if you want to own a copy, just look on our website for ordering instuctions and she'll get the DVD to you pronto.    www.passionforangling.info

A PASSION FOR ANGLING - REDMIRE LEGENDS

Those of my readers who don’t fish or anglers of a younger age might not have heard of our BBC 2 fishing series, ‘A Passion for Angling’.

First shown in the autumn of 1993, it was heralded as ‘the best fishing series ever ’ and even now, after so many years, it still hits the spot with many who love angling and the wildlife of our glorious countryside.

We created the series for the BBC and the publicity at the time described it thus - ‘A Passion for Angling is a much acclaimed series of six films in which famous anglers Chris Yates and Bob James take us on a grand fishing adventure across Britain. Capturing the magic of angling is award winning cameraman Hugh Miles’.

Shown five times by the BBC, it attracted audiences of over six million so we offered it up as an attempt to cheer anglers up in these critical times and judging by the recent comments on YouTube, it still makes  good viewing. 

We are relieved that you still enjoy the films after all these years and are most grateful to Peter Drennan for agreeing to host the rest of the series on his website so that you can view each episode for free. We sincerely hope that our adventures with rod and line provide some respite from the acute challenges in these long weeks ahead.

TEAMWORK

Even if our series of films continues to attract a lot of enthusiastic comments and much of the praise is credited to Chris Yates, Bob James and myself, this is unfair.

Like every creative project, all films are team efforts and non more so than Passion, so to put the record straight I’d like to say that without the dulcet tones of Bernard Cribbins’ masterly narration or the beautiful music composed by Jenny Muskett, the films would have had a lot less appeal.

Add to that the beautiful quotes from angling literature spoken with such feeling by Chris Sandford and the subtle blending of all these elements by dubbing mixer Trevor Barber and you have the makings of a classic.

On each of the films there were some fifty stereo sound tracks to lay and mix together and Trevor’s skill ensures that you are unaware of the subtle changes that set the scene and link the sequences. Jennie’s music creates the mood and points up changes of time and season and when they blend these elements with the story and pictures you don’t even realise that the sound is there at all. 

Last but not least are my ace editors who are at the top of their profession because they have the knack of making sense of a pile of pictures and linking them together to tell the chosen story. My wife Sue jokingly calls it knitting but it is more a case of deceiving the audience into thinking events really happened in the way they appear when in fact, all the films you have ever seen are actually illusions of the truth.

Yes, you need lovely light to capture ‘artistic’ pictures along with nutty anglers enjoying their fishing but it is the team that creates the magic and if they transport you to a different, more wonderful world, then it’s rewarding for us all. My job is to blend all that talent together and that for me is the joy of making films with a team of top professionals.

REDMIRE LEGENDS - THE MOVIE

Chris Yates is often thought of as a legend and as Bob James says in our film, “he’s starting to believe it” … but only in his lunchtime!

We started filming this first   because we were only going to make one half hour film. However, we had to make it a one hour movie because Chris and Bob caught four big carp in a week and I hadn’t the heart to edit any of them out.

First up on opening day was Chris’s scale perfect 24lb common, caught using Richard Walker’s famous Mk4 carp rod that Dick used to subdue his 44lb record. It was the rods first visit to Redmire since that remarkable day in 1952, an omen for future success perhaps?

A day or two later Bob also caught a common of exactly 24lbs, his first Redmire carp and by a strange coincidence this fish was also Chris’s first Redmire carp, easily recognisable because of its’ missing pectoral fins. Then Chris caught a 23lb common off the surface, the first he had ever snared in that way at Redmire. We were on a role, surprising because in the first weeks of fishing during the previous two years, no one caught a single carp.

Creating the ideas for sequences and dialogue were a team effort between the three of us, no doubt fuelled by red wine and I’m guessing the gudgeon match might have been my idea because I love dawn but this nearly killed Bob and Chris through lack of sleep! 

While hanging onto a high branch with one hand while filming the ‘tree trick’ was their chance to drown me but it seemed we couldn’t fail as Bob then caught the famous leather called Raspberry, one of the original Donald Leney fish and a mighty warrior of nearly sixty years old.

This fish was caught within yards of where Chris caught his 51lb record and because the weather was hot the carp migrated up to the shallows every day, so I built my scaffold tower in anticipation of their arrival.

If you’re wondering where these crazy ideas came from, look no further than Yates’ fertile mind because during his many visits with Rod Hutchinson they had lots of time to dream up ways of catching those elusive carp. 

He’d always wanted to try the scarecrow trick and it worked a treat, though we had to whisper instructions in falsetto voices, otherwise the carp melted away. We got some funny looks from the barman when ordering beers and forgetting to lower our high pitched voices!

Altogether it was an amazing weeks fishing adventure, so much so that we decided to make a further five films and the rest as they say, is history.

So if you enjoy the films enough you can always buy the complete set of films on DVD : http://www.passionforangling.info  Here's Sue doing the business.

Thank you from us all for your encouragement and enthusiasm over all these years … Hugh, Chris and Bob.